Music is a type of art that includes organized and audible sounds and silence. It is commonly expressed in terms of pitch (which involves melody and harmony), rhythm (which involves tempo and meter), and the quality of sound (which consists of timbre, articulation, dynamics, and texture). Music may also involve complex generative types in time by way of the construction of patterns and combinations of natural stimuli, principally sound. Music may possibly be applied for artistic or aesthetic, communicative, entertainment, or ceremonial purposes. The definition of what constitutes music varies according to culture and social context.
If painting can be viewed as a visual art type, music can be viewed as an auditory art form.
Allegory of Music, by Filippino Lippi
Allegory of Music, by Lorenzo Lippi
Contents
1 Definition
2 History
three Aspects
4 Production 4.1 Overall performance
four.two Solo and ensemble
four.3 Oral tradition and notation
four.four Improvisation, interpretation, composition
four.5 Composition
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[edit] Definition as noticed by [http://www.FaceYourArt.com]
Most important write-up: Definition of music
See also: Music genre
The broadest definition of music is organized sound. There are observable patterns to what is broadly labeled music, and although there are understandable cultural variations, the properties of music are the properties of sound as perceived and processed by humans and animals (birds and insects also make music).
Music is formulated or organized sound. Though it can’t include feelings, it is sometimes developed to manipulate and transform the emotion of the listener/listeners. Music produced for motion pictures is a excellent instance of its use to manipulate emotions.
Greek philosophers and medieval theorists defined music as tones ordered horizontally as melodies, and vertically as harmonies. Music theory, within this realm, is studied with the pre-supposition that music is orderly and typically pleasant to hear. Even so, in the 20th century, composers challenged the notion that music had to be pleasant by developing music that explored harsher, darker timbres. The existence of some contemporary-day genres such as grindcore and noise music, which take pleasure in an substantial underground following, indicate that even the crudest noises can be considered music if the listener is so inclined.
20th century composer John Cage disagreed with the notion that music must consist of pleasant, discernible melodies, and he challenged the notion that it can communicate anything. Alternatively, he argued that any sounds we can hear can be music, saying, for example, “There is no noise, only sound,”[three]. According to musicologist Jean-Jacques Nattiez (1990 p.47-8,55): “The border among music and noise is always culturally defined–which implies that, even inside a single society, this border does not often pass by way of the similar location in quick, there is hardly ever a consensus…. By all accounts there is no single and intercultural universal idea defining what music may possibly be.”
Johann Wolfgang Goethe believed that patterns and forms have been the basis of music he stated that “architecture is frozen music.”
[edit] History as seen by [http://www.FaceYourArt.com]
Principal post: History of music
See also: Music and politics
Figurines playing stringed instruments, excavated at Susa, 3rd millennium BC. beat marketplace .
The history of music predates the written word and is tied to the development of each unique human culture. While the earliest records of musical expression are to be located in the Sama Veda of India and in four,000 year old cuneiform from Ur, most of our written records and research deal with the history of music in Western civilization. This involves musical periods such as medieval, renaissance, baroque, classical, romantic, and 20th century era music. The history of music in other cultures has also been documented to some degree, and the know-how of “world music” (or the field of “ethnomusicology”) has become a lot more and a lot more sought soon after in academic circles. This contains the documented classical traditions of Asian nations outdoors the influence of western Europe, as well as the folk or indigenous music of a variety of other cultures. (The term planet music has been applied to a wide variety of music created outdoors of Europe and European influence, while its initial application, in the context of the Planet Music System at Wesleyan University, was as a term including all achievable music genres, such as European traditions. In academic circles, the original term for the study of planet music, “comparative musicology”, was replaced in the middle of the twentieth century by “ethnomusicology”, which is still considered an unsatisfactory coinage by some.)
Preferred types of music varied extensively from culture to culture, and from period to period. Unique cultures emphasised unique instruments, or tactics, or uses for music. Music has been employed not only for entertainment, for ceremonies, and for sensible & artistic communication, but also extensively for propaganda.
As world cultures have come into greater contact, their indigenous musical styles have normally merged into new styles. For example, the United States bluegrass style includes components from Anglo-Irish, Scottish, Irish, German and some African-American instrumental and vocal traditions, which have been in a position to fuse in the US’ multi-ethnic “melting pot” society.
There is a host of music classifications, a lot of of which are caught up in the argument over the definition of music. Amongst the biggest of these is the division in between classical music (or “art” music), and well-liked music (or industrial music – which includes rock and roll, country music, and pop music). Some genres don’t fit neatly into one of these “huge two” classifications, (such as folk music, globe music, or jazz music).
Genres of music are determined as a great deal by tradition and presentation as by the actual music. Though most classical music is acoustic and meant to be performed by men and women or groups, quite a few works described as “classical” include samples or tape, or are mechanical. Some performs, like Gershwin’s Rhapsody in Blue, are claimed by each jazz and classical music. Numerous existing music festivals celebrate a particular musical genre.
There is normally disagreement over what constitutes “actual” music: late-period Beethoven string quartets, Stravinsky ballet scores, serialism, bebop-era Jazz, rap, punk rock, and electronica have all been considered non-music by some critics when they had been initially introduced.